• Madonna • Solveig singles chronology ' (2009) ' Give Me All Your Luvin' (2012) ' (2012) ' (2009) ' Give Me All Your Luvin' (2012) ' (2012) singles chronology ' (2011) 2011 ' Give Me All Your Luvin' (2012) Give Me All Your Luvin'2012 ' (2012) 2012 singles chronology ' (2012) 2012 ' Give Me All Your Luvin' (2012) Give Me All Your Luvin'2012 ' (2013) 2013 Music video on ' Give Me All Your Luvin' is a song by American singer from her twelfth studio album, (2012). It features guest vocals by rappers and The song was written and produced by Madonna and, with additional writing by M. Eumig P8 Phonomatic Manually. I.A., Minaj and Michael Tordjman. After working with Solveig on one song, Madonna continued recording others including 'Give Me All Your Luvin '. Madonna chose to work with M.I.A. And Minaj on the track, since she felt they were both strong women with unique voices. She also liked their music and what they represented. A demo version of the song, titled 'Give Me All Your Love', was leaked on November 8, 2011 resulting in a man from Spain being arrested for.
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The final version of the song was released on February 3, 2012, as the lead single from MDNA. The track was her debut single from her three-album deal with. Backed by bouncing synthesizers, marching drums and a cheer, 'Give Me All Your Luvin ' is a song, with elements of and. Madonna executes the chorus in high-pitched vocals while during its breakdown, Minaj raps her verse as her Roman Zolanski, followed by M.I.A. Rapping her verse. 'Give Me All Your Luvin ' received mixed reviews from.
Its chorus was noted as a highlight by critics, who described it as catchy; however, they felt that the musical composition was inferior to Madonna's previous singles. Commercially, the song attained success, topping the charts in Canada, Finland, Hungary, and Israel while peaking within the top ten in several European countries. In the United States, it became Madonna's 38th top-ten hit on the chart, extending her record as the artist with most top-ten singles in the chart's history. The song's accompanying featuring both Minaj and M.I.A. Was directed by Megaforce. It shows Madonna, Minaj and M.I.A. Along with cheerleaders wearing masks and football players.
Madonna first performed the song with Minaj and M.I.A. During the performance M.I.A. Extended her towards the camera while rapping her verse. She was criticized in the media and broadcaster and the (NFL) issued apologies. They also fined the rapper which was resolved through a confidential agreement. Later that year, Madonna also performed 'Give Me All Your Luvin ' on, where she wore a outfit.
Contents • • • • • • • • • • • • • • • • • • • Background and release [ ] In December 2010, Madonna posted a message on her, exclaiming: 'Its official! I need to move. I need to sweat. I need to make new music! Music I can dance to. I'm on the lookout for the maddest, sickest, most badass people to collaborate with. I'm just saying'.
One of the collaborators was French DJ and producer, who was invited to a writing session by Madonna in London in July 2011. Originally, Madonna wanted to work with Solveig on one song, but eventually it turned into three tracks—'Give Me All Your Luvin ', ', and '. In an interview with, Solveig explained that Madonna had enough time for the project, hence after working on one song, they continued recording. Solveig described the sessions as fun and labeled them a 'privileged time'. In 'Give Me All Your Luvin ', Madonna collaborated with rappers ( left) and ( right). 'Give Me All Your Luvin ' was written by Madonna,,,, and Michael Tordjman, while production was helmed by Madonna and Solveig. Madonna had wanted to work with M.I.A.
And Minaj on a song, since she felt that they are both 'strong women with a unique voices'. She paid tribute to the stars, saying '[Minaj and M.I.A. Are] not conventional pop stars and I really admire them both'.
Confirmed the collaboration on her account, saying that she had been asked to come to New York City on November 29, 2011. The rapper felt that the collaboration was an achievement her mother would be proud of, 'way [more] than me putting ' out in a club.' On November 8, 2011, a version of the song, named 'Give Me All Your Love', was. According to Keith Caulfield from Billboard, 'Within a few hours, [the song and its leak] was among one of the top 10 trending topics worldwide on Twitter.' Madonna's manager,, addressed the leak on Twitter adding the singer's statement on the situation: 'My true fans wouldn't do this'. Oseary also clarified that their initial plan was for new music to come out in 2012 itself.
He was happy with the positive reaction to the demo, but asked fans to help him police any more leaks. The leaked demo lacked vocals from both Minaj and M.I.A.
Which Madonna reflected upon, 'It's really disappointing because you don't want things to come out till you're done with them, till you're ready. It's like everybody looking at your unfinished painting. It's like, 'Wait a minute. I didn't finish that. That's not fair.'
On December 22, 2011, the police arrested a 31-year-old man from Spain who had reportedly leaked the demo. They confirmed the suspect's initials as J.M.R.
And described him as 'a big Madonna fan'; they found recordings of the song in his belongings. He was arrested in, charged and subsequently released, pending a trial.
It was confirmed by that the person did not seek to achieve a profit from the release. In 2014, several demos from Madonna's thirteen studio album leaked and an Israeli hacker named Adi Lederman was arrested: the indictment papers said that Lederman was also responsible for the leak of 'Give Me All Your Luvin'. A month later, announced that the song would be released on February 3, 2012, three days before she was to perform at the.
The track was her debut single from her three-album deal with. Along with the announcement Madonna revealed the cover art for the single. It depicted three black-and-white images of the singer side-by-side, making faces and posing, while wearing a tshirt emblazoned with the song title. 'Give Me All Your Luvin ' was sent to United States on February 7, 2012. Madonna partnered with media to launch radio support for the track, and from February 3 it was played across 95 Mainstream and Rhythmic radio stations owned by them.
The single was also played in the United Kingdom through Clear Channel's partnership with UK's radio networks. They played the track at the top of every hour throughout the day till February 5, along with a megamix of songs from MDNA. The single was also released for on websites with online contests and promotional drives for buying it from iTunes. Recording and composition [ ] 'Give Me All Your Luvin ' was at, and,,. Recorded and the track. Philippe Weiss and Graham Archer assisted Castellon on the recording, while Angie Teo assisted on the mixing. Jason 'Metal' Donkersgoed did the additional of the song and Jean Baptiste Gaudray played guitars.
Alongside his producing duty, Solveig also arranged the synths and drums for the track. He recalled that the track was recorded in two days, with Madonna and him continuously discussing the chord progression and the music. The initial version of the song's breakdown was 'too much' of, which Madonna asked him to change, while adding Minaj and M.I.A.' S rapping over them. A 20-second sample of 'Give Me All Your Luvin ' which illustrates the high-pitched vocals employed by Madonna while singing the chorus, which is backed by Nicki Minaj and M.I.A. With the cheerleading chant 'L-U-V Madonna, Y-O-U You wanna.' Problems playing this file?
'Give Me All Your Luvin ' is a song, with elements of and. The song starts with a cheer: 'L-U-V Madonna, Y-O-U you wanna' with the vocal tone reminiscent off 's single ' (2005) and ' (1982). A 'polished 60s shakedown' succeeds the chant, which is backed by bouncing and hard. Priya Elan of said that the composition resembled Madonna's own songs like ' (1999), 'Amazing' (2000) and the songs on her studio albums, (1998) and (2008).
The of the song follows, which Madonna performs in a high-pitched voice: 'Don't play the stupid game / Cause I’m a different kind of girl / Every record sounds the same / You’ve got to step into my world / Give me all your luvin', give me your love / Give me all your love today.' 's Lanford Beard observed that the song 'blends -meets- chanting, echoes of 's regrettable foray into New Wave-y synth-guitar sounds, and a ' redux breakdown.' John Mitchell of commented that the instrumentation of the song consists of 'glittery synths, marching band drums, claps and a catchy-as-hell chorus.' Lewis Corner of called the song an '80s-inspired electro-thumper complete with a cheerleader chant of 'L-U-V Madonna!' ' 'Give Me All Your Luvin ' is written in the key of and has a moderately fast of 144 beats per minute. It follows a basic chord progression of D ♭–G ♭–A ♭ in the verses, and D ♭–F ♭–C ♭–G ♭ in the chorus and intermediate bridge. Madonna's vocals span from the tonal nodes of C ♭ 4 to A ♭ 4.
After the leak of the song in November 2011, media reported on the similarities between the song and singer ' ', due to the 'cheerleader-style' verses in both. 'Give Me All Your Luvin ' has the lyrics 'L-U-V Madonna' while Roberts track features the lyrics 'L.O.V.E/ Dance to the beat of my drum'. Soon after, Roberts called Madonna a 'copycat' for the alleged similarities between the songs. However, she later insisted that people had been 'quick to jump the gun' and claimed she had not even heard the song. Brazilian music producer Joao Brasil alleged that the chorus of 'Give Me All Your Luvin ' was plagiarized from his 2011 single 'L.O.V.E Banana'. Both songs start with the shouts of cheerleaders, who in Brazil's song say 'L.O.V.E Banana' and in Madonna's song, 'L.U.V. Critical reception [ ] 'Give Me All Your Luvin ' met with generally mixed reviews from music crtitcs.
Priya Elan from said the song 'seems to soar effortlessly' and that 'what Madonna's doing in this song is so much more impossibly fun than we could have imagined.' She also stated the song was a progress from the sound of her previous album,. Jim Farber from the considered that the song is 'a pure snap of bubble gum, closer to an early single like ' than any of her more recent club hits.
Only the rap cameos from the quite camp Nicki Minaj, and the less so M.I.A., tell us what decade we're in.' Michael Cragg from felt that the track was not bad. 'Musically it's a pretty joyful four minutes, featuring bouncing beats, acoustic riffs and -style cheerleader chants, but there's something a bit flat about Madonna's delivery. Given all the love she's demanding, you'd think she'd be more excited.' Speaking of the rap part, he thought that 'Minaj certainly does her best, her typically frantic rap an exercise in squeezing as many words into a 10-second space as possible, while MIA's more laconic drawl loses momentum.' Chris Willman of called it 'risible' and infectious: 'Everything here is as dumb as the titular spelling, but the campiness has its charm, at least if you like the old musicals that some of the tracking shots here are paying homage to'.
Journalist Bradley Stern wrote about the 'Hey Mickey' comparisons, complimenting the guest rapping of Minaj and M.I.A. Even though he felt it was 'one of the album’s least compelling moments'. In a review of MDNA, Neil McCormick of felt that the prime purpose of the 'lightest, frothiest track' from the album was to represent next generation's female pop stars. Emily Mackay of wrote in detail about the song. 'Give Me All Your Luvin ' was compared to songs by ( left) and ( right). After the first play of this album, I sat down and had a hard think about which of those songs I'd want to play again first.
The only one that stuck in the head most was 'Give Me All Your Luvin ', whose cheerleader chants and thrumming rhythm are kind of excruciating, but at least catchy. Minaj and M.I.A. Are as effortlessly awesome as they can both be when limited to just a few lines. Say what you like about Maya, but she sounds a deal more plausible that Madonna herself on a line like 'Imma say this once, hey I don't give a shit'. Oddly, for a single so tame, Madonna seems to see it as a challenge 'Every record sounds the same, you've got to step into my world'?
We're already in your bloody world! It was kind of your responsibility to step out of it and make a record that didn't sound the same, so don't bloody badger us about it. Andrew Hampp from negatively reviewed the signing of Minaj and M. Braudel Capitalism And Material Life Pdf Viewer. I.A.
As guest artists, adding that 'It's a subpar effort from all parties, particularly Madonna, who hasn't sounded this robotic since the more tweaked-out moments on Hard Candy.' In another review, Keith Caulfield from the same magazine deemed the track as a commercial for Madonna's Super Bowl appearance, rather than being a promotional tool for MDNA, criticizing it for misleading the listener about the vibe of the album. Gareth Grundy from The Guardian shared this view, while describing the track as 'clumsy rave-pop'. Jody Rosen of rated it two out of five stars, describing its lyrics and composition as 'dashed off' and 'in the doldrums', and was displeased by the track's 'aggressive, assaultive spunkiness'. Sal Cinquemani from described the song as 'decidedly vapid' and 'catchy' but also stated that 'its few charms—'60s surf-pop guitar, vintage video-game effects, and references to her past songs—are fleeting at best.' He felt that Minaj and M.I.A.
Were 'tacked on for added marketability' and that the song actually lacked 'authenticity'. While reviewing MDNA, ' critic described the song as 'one of the album's weakest tracks'. From wrote that the song's 'shiny-happy' sound is 'nowhere near representative of the full album.' From The Guardian listed the song as the weakest effort on MDNA, adding that 'its position as the album's lead single seems to have had more to do with showing off the presence of Nicki Minaj and M.I.A. Than its featherweight melody.' A writer for gave the song three out of five stars, writing: 'Like most Madonna singles, it skips along at a furious pace with a gleam in its eye, but the self-references get tiresome and ultimately she is just trying too hard.' Nick Levine, writing for, relegated the track as a 'lighter pop morsel'.
Matthew Parpetua from panned the song, saying that Solveig's production on the track was paired with equally 'bland lyrics'. Brad O'Mancey from declared that the track was 'proof that sometimes you can listen to something many, many times and still not have any idea whether it's any good or not.' Journalist was disappointed with the song and its lyrics, which he found to be meaningless, while Bernard Zuel of relegated it as 'trite and disposable'. Alex Macpherson from found the song to be 'sheer misconceived awfulness'.
Chart performance [ ]. A screenshot of the music video of 'Give Me All Your Luvin ' which shows Minaj (left), Madonna (center) and M.I.A.
(right) as the 'triple Marilyn or triple Madonna' like figures. The costume was also compared to the singer's look for her ' video. Madonna had first previewed the video in an exclusive on February 2, 2012, and the full video premiered the next day on her channel. The video starts as the words 'Fans can make you famous, a contract can make you rich, the press can make you a superstar, but only luv [ ] can make you a player' appear on a brick wall. Cheerleaders M.I.A.
And Minaj then sing the opening lyrics in a suburban neighborhood alongside other cheerleaders wearing masks. Madonna sings the first verse as she exits a house with a baby stroller and wears a trench coat and sunglasses, all of which are soon discarded. Emerging football players protect her from obstacles, golden raindrops and destroy a car that gets in her way.
They hold her perpendicular to a wall and she walks horizontally. Throughout the video, Madonna can be seen dancing and singing in front of a brick wall, and in one scene she holds a baby doll. During the second verse, Madonna walks across the city with M.I.A. And Minaj, and is still followed by cheerleaders and football players. She walks down a city street, as players are shot down by an unseen shooter who opens fire from a passing vehicle. She climbs a pyramid of football players, and is eventually taken to a club with Minaj and M.I.A., who sing their parts in a room filled with other cheerleaders and football players.
Madonna then falls from the building but two players catch her. She makes her way to a town square, then starts dancing with her cheerleaders as they bash heads off of football players using baseball bats, revealing a climactic firework spectacle. Madonna grabs one of the heads and proudly displays it to a cheering audience. The video ends with Madonna in front of a brick wall, laughing and throwing away the baby doll, as the word 'Touchdown!'
Appears in front of a pink backdrop. Reception [ ] Writing for Caryn Ganz was pleased by the video, saying '[Madonna's] attempt to find a bridge between sports, love, and fame falls a bit flat.
But in the end, the football players and cheerleaders in the video are all literally faceless passersby. They, like the two high-profile MCs, are all here in service of [the singer].'
Becky Bain found a number of topics to discuss about the video, including trick photography, golden rains and the appearance of the singers as 'triple Marilyn or triple Madonna'. Though she believed that it was not Madonna's best video, nevertheless it was successful as a release. Christopher Farley from gave another positive review, saying that the singer 'appears to be in better shape than many college students, which is crazy' and also complimented her for picking 'M.I.A. And Nicki Minaj–and getting them to literally serve as cheerleaders for the Madonna brand.' MTV News' Jocelyn Vena described it as 'funky, fun and surreal (and almost cartoony)' as well as fun and light-hearted: 'Madonna looks like she's having an incredibly fun time throughout the visual, smiling and shimmying her way through this fictional, hyper-fantasy world. Watching the clip, one may wonder what doesn't happen in the video.' Nicole James from MTV News opined that the video gave another impression that although 'Madonna's never been the cute and innocent homecoming queen, but those wholesome, all-American football players still wanna kick it with her.'
Cragg from The Guardian declared the video as a 'hoot' with the 'creepy cheerleaders and Madonna breastfeeding a doll'. Bradley Stern from found similarities in the video with those of singer 's video for ' (1995) and 's ' (2002) with the 'walk-talk and walk-crawl' formula in it. He added that the video is 'self-aware, thoroughly modern, cheeky, sarcastic, glamorous and entirely camp all at the same time'. Chris Wilman from noted similarities to Madonna's own ' (1985) video with the scenes showing her being carried off by the footballers, adding that 'everything here is as dumb as the titular spelling, but the campiness has its charm, at least if you like the old musicals that some of the tracking shots here are paying homage to.'
A writer from Rolling Stone gave a mixed review for the video saying that 'It's a goofy and fun clip, though the faceless cheerleaders in the background are more creepy than amusing.' In a pre-release screening of MDNA, Matthew Todd from believed that the last scene showing Madonna throwing off a baby doll implied that she was moving away from domestic life and embracing a party attitude.
Amanda Dobbins from found some 'attempted weirdness' in the video with the scenes of the triple Marilyns and the baby on Madonna's lap, but added that 'Madonna still looks crazy bonkers good'. Live performances [ ]. Madonna performing the song with and (in front) during the Super Bowl XLVI halftime show.
In February 2012, Madonna performed 'Give Me All Your Luvin ' with M.I.A. And Nicki Minaj at the at in. Madonna collaborated with in producing the show. 36 image projectors were utilized to create a spectacle of lights. The whole performance consisted of 500 total outfits including customized looks for musical guests LMFAO, Minaj, M.I.A.
And Green as well as costumes for 100 drum line performers, 150 gladiators—who wore pairs of black underwear designed by —and 200 choir singers. As the performance of ' ended, a group of female dancers in cheerleader uniforms joined Madonna onstage for performing 'Give Me All Your Luvin '. Minaj and M.I.A. Joined her onstage, both dressed in Egyptian inspired clothing. Together they danced as while holding.
During the intermediate section, all three of them stood on separate elevated platforms where Minaj and M.I.A. Performed their respective verses.
The performance gained widespread attention from the media after M.I.A. Extended her to the camera near the end of her verse instead of singing the word 'shit'. Media criticized M.I.A. For the gesture and compared the incident to 's 2004. People said, 'Call it a finger malfunction?
Madonna was supposed to be the center of attention during the Super Bowl halftime show Sunday, but the Queen of Pop was upstaged by her collaborator M.I.A., who flipped off the camera at one point during the performance, prompting swift apologies from the NFL and NBC.' Madonna herself expressed her disappointment during an interview with host on his talk show,. She felt that it was a 'teenager. Irrelevant thing' for M.I.A. To do during the show, since it was 'out of place'. Brian McCarthy, spokesman for the NFL said, 'Our system was late to obscure the inappropriate gesture and we apologize to our viewers. The NFL hired the talent and produced the halftime show.
There was a failure in NBC's delay system. The obscene gesture in the performance was completely inappropriate, very disappointing, and we apologize to our fans.' McCarthy also clarified that the gesture was not revealed during rehearsals, M.I.A. Improvised it on stage. The league later fined the rapper a total of $16.6 million as penalty, which was resolved through a confidential agreement in 2014.
Madonna also performed 'Give Me All Your Luvin ' the same year on. After the performance of ' ended, she began performing 'Give Me All Your Luvin ' dressed as a drum in a white-and-red uniform with tall white boots. Phillips explained that the ensemble was created and inspired by a 1940s majorette look, and she added Swarovski crystals to the dress. Madonna sang the song on stage while a was suspended in mid-air, and M.I.A.
And Minaj appeared on the video screen. Caryn Ganz from Spin called the performance as the 'night's most innovative moment' while Brian McManus from Rolling Stone was impressed with the drumline levitation on top of the stage.
Niv Elis from declared the performance as one of the show's 'wow' moments. The November 19–20, 2012, performance of 'Give Me All Your Luvin ' at Miami,, was recorded and released in Madonna's fourth, in CD and DVD.
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