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• • • • • • • • • • • Website Past members Principal Other Geoff Bridgford The Bee Gees were a group formed in 1958. Their lineup consisted of brothers,, and. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a popular music act in the late 1960s and early 1970s, and as prominent performers of the music era in the mid-to-late 1970s. The group sang recognisable three-part; Robin's clear lead vocals were a hallmark of their earlier hits, while Barry's became their signature sound during the mid-to-late 1970s and 1980s. The Bee Gees wrote all of their own hits, as well as writing and producing several major hits for other artists. Born on the to parents, the Gibb brothers lived in,,, until the late 1950s.
There, in 1955, they formed. The family then moved to, in,, and then to.
After achieving their first chart success in Australia as the Bee Gees with ' (their 12th single), they returned to the UK in January 1967, when producer began promoting them to a worldwide audience. As of July 2013, the Bee Gees have sold more than 220 million records worldwide, placing them among the world's of all time. They were inducted into the in 1997; the presenter of the award to 'Britain's first family of harmony' was, historical leader of, another 'family act' featuring three harmonising brothers. The Bee Gees' Hall of Fame citation says, 'Only,,, and have outsold the Bee Gees.' Following Maurice's death in January 2003, at the age of 53, Barry and Robin retired the group's name after 45 years of activity. In 2009, Robin announced that he and Barry had agreed the Bee Gees would re-form and perform again.
Robin died in May 2012, aged 62, after a prolonged struggle with cancer and other health problems, leaving Barry as the only surviving member of the group's final line-up. Plaque at Maitland Terrace/Strang Road intersection in Union Mills, In 1955, the brothers, and moved back to their father 's hometown of,, England, and formed a /rock-and-roll group,, which consisted of Barry on guitar and vocals, Robin and Maurice on vocals, and friends Paul Frost on drums and Kenny Horrocks on. In December 1957, the boys began to sing in harmony. The story is told that they were going to to a record in the local Gaumont cinema (as other children had done on previous weeks), but as they were running to the theatre, the fragile shellac 78-RPM record broke. The brothers had to sing live and received such a positive response from the audience that they decided to pursue a singing career.
In May 1958, the Rattlesnakes were disbanded when Frost and Horrocks left, so the Gibb brothers then formed Wee Johnny Hayes and the Blue Cats, with Barry as Johnny Hayes. In August 1958, the Gibb family, including older sister Lesley and infant brother, emigrated to, just north-east of in, Australia.
The young brothers began performing to raise. They were introduced to leading Brisbane radio DJ Bill Gates by promoter and driver Bill Goode, who had hired the brothers to entertain the crowd at the Redcliffe Speedway in 1960. The crowd at the speedway would throw money onto the track for the boys, who generally performed during the interval of meetings (usually on the back of a truck that drove around the track), and in a deal with Goode, any money they collected from the crowd they were allowed to keep.
Gates renamed them the BG's (later changed to 'Bee Gees') after his (Goode's) and Barry Gibb's initials—thus the name was not specifically a reference to 'Brothers Gibb', despite popular belief. The family moved to a house at which was later demolished to allow the expansion of. While there, the brothers attended Northgate State School. By 1960, the Bee Gees were featured on television shows, including their performance of 'Time Is Passing By'. In the next few years they began working regularly at resorts on the Queensland coast.
For his songwriting, Barry sparked the interest of Australian star, who helped them get a recording deal in 1963 with subsidiary, under the name 'Bee Gees'. The three released two or three singles a year, while Barry supplied additional songs to other Australian artists. In 1962, the Bee Gees were chosen as the supporting act for 's concert at Sydney Stadium. From 1963 to 1966, the Gibb family lived at 171 Bunnerong Road, in Sydney.
Just prior to his death, Robin Gibb recorded the song 'Sydney', about the brothers' experience of living in that city. It was released on his posthumous album.
The house was demolished in 2016. A minor hit in 1965, ', led to the group's first LP,. By 1966 Festival was, however, on the verge of dropping them from the Leedon roster because of their perceived lack of commercial success. It was at this time that they met the American-born songwriter, producer and entrepreneur, who had just been appointed A&R manager of a new independent label,. Kipner briefly took over as the group's manager and successfully negotiated their transfer to Spin in exchange for granting Festival the Australian distribution rights to the group's recordings.
[ ] Through Kipner the Bee Gees met engineer-producer,, who produced (or co-produced with Kipner) many of the earlier Spin recordings, most of which were cut at his own small, self-built St Clair Studio in the Sydney suburb of. Byrne gave the Gibb brothers virtually unlimited access to St Clair Studio over a period of several months in mid-1966. The group later acknowledged that this enabled them to greatly improve their skills as recording artists. During this productive time they recorded a large batch of original material—including the song that would become their first major hit, ' (on which Byrne played the trumpet coda)—as well as cover versions of current hits by overseas acts such as the Beatles. They regularly collaborated with other local musicians, including members of beat band Steve & The Board, led by, Nat's teenage son.
Frustrated by their lack of success, the Gibbs decided to return to England in late 1966. Ossie Byrne travelled with them, and, who eventually became the group's drummer, followed soon afterward. While at sea in January 1967, the Gibbs learned that 'Spicks and Specks' had been awarded Best Single of the Year by, Australia's most popular and influential music newspaper.
1967–1969: International fame and touring years [ ] Bee Gees' 1st, Horizontal and Idea [ ]. The Bee Gees in 1967 (left to right: Barry Gibb, Robin Gibb, Vince Melouney, Maurice Gibb and Colin Petersen) Before their departure from Australia to England, Hugh Gibb sent demos to, who managed and directed, a British music store. Epstein passed the demo tapes to, who had recently joined NEMS.
After an audition with Stigwood in February 1967, the Bee Gees signed a five-year contract whereby would release their records in the UK, and would do so in the US. Work quickly began on the group's first international album, and Stigwood launched a promotional campaign to coincide with its release.
Stigwood proclaimed that the Bee Gees were 'The Most Significant New Talent of 1967', thus initiating the comparison of the Bee Gees to the Beatles. Before recording the first album, the group expanded to include and. ', their second British single (their first-issued UK 45 was 'Spicks and Specks'), was issued to radio stations with a blank white label listing only the song title. Some DJs immediately assumed this was a new single by the Beatles and started playing the song in.
This helped the song climb into the top 20 in both the UK and US. No such chicanery was needed to boost the Bee Gees' second single, ', into the US Top 20. Originally written for, 'To Love Somebody', a soulful ballad sung by Barry, has since become a pop standard covered by many artists including,,,,,,,, and. Another single, ', released in the US, peaked at No. The parent album, (their first internationally), peaked at No.
7 in the US and No. Bill Shepherd was credited as the arranger. After recording that album, the group recorded their first BBC session at the,, in London, with Bill Bebb as the producer, and they performed three songs. That session is included on BBC Sessions: 1967–1973 (2008). Following the release of Bee Gees' 1st, the group was first introduced in New York as 'the English surprise'.
At that time, the band made their first British TV appearance on. Maurice recalled: “ was on it and that was amazing because we'd seen pictures of him in the Beatles fan club book, so we thought we were really there! That show had, us,, and the doing '. You have to remember this was really before the superstar was invented so you were all in it together.
” In late 1967, they began recording for the second album. On 21 December 1967, for a live broadcast from, they performed their own song, 'Thank You For Christmas' (which was recorded in the Horizontal sessions but was not released until 2008), as well as ' and '. The folk group also performed on that programme and were conducted by the Very Reverend Edward H. Patey, dean of the cathedral. Ten days later, the band finished the year off with their Christmas Eve special, How on Earth? January 1968 began with a promotional trip to the US. Was on alert in anticipation of a Beatles-type reception, and special security arrangements were being put in place.
In February, repeated the success of their first album, featuring the group's first UK No. 1 single ' (a No. 11 US hit) and the No. 7 UK single '. The sound of the album Horizontal had a more 'rock' sound than their previous release, although ballads like ' and ' were also prominent. The Horizontal album reached No. 12 in the US and No.
16 in the UK. Promoting the record, the group made their first appearance on US television on, on CBS. Had first encountered the band on a trip to London, and became their friend as well as a fan. That evening, Smothers wore a shirt which Maurice had bought for him at the Beatles'. With the release of Horizontal, they also embarked on a tour with concerts in.
Around the same time, the Bee Gees turned down an offer to write and perform the soundtrack for the film, according to director. On 27 February 1968, the band, backed by the 17-piece Massachusetts String Orchestra, began their first tour of Germany with two concerts. In March 1968, the band was supported by (who had a well-known hit ') on their German tour. As Robin's partner Molly Hullis recalls: 'Germans were wilder than the fans in England at the heights of.'
The tour schedule took them to 11 venues in as many days with 18 concerts played, finishing with a brace of shows at the Stadthalle,. After that, the group was off to.
As Maurice described it: “ There were over 5,000 kids at the airport in. The entire ride to, the kids were waving. When we got to the hotel, the police weren't there to meet us and the kids crushed the car. We were inside and the windows were all getting smashed in, and we were on the floor.
” On 17 March, the band performed 'Words' on. The other artists who performed on that night's show were, and. On 27 March 1968, the band performed at the in London.
The Bee Gees performing on Dutch television Twien in 1968 Two more singles followed in early 1968: the ballad ' (No. 15 US) and the double A-sided single ' b/w '. 'Jumbo', the Bee Gees' least successful single to date, only reached No. 25 in the UK and No. 57 in the US. The Bee Gees felt 'The Singer Sang His Song' was the stronger of the two sides, an opinion shared by listeners in the who made it a No. Further Bee Gees chart singles followed: ', their second UK No.
8 US), and ' (No. 6 US), both culled from the band's third album. Idea reached No. 4 in the UK and was another top 20 album in the US (No. Following the tour and TV special to promote the album, Vince Melouney left the group, desiring to play more of a blues style music than the Gibbs were writing. Melouney did achieve one feat while with the Bee Gees: his composition ' (from Idea) is the only song on any Bee Gees album not written by a Gibb brother.
The group also filmed a BBC television special with, called Frankie Howerd Meets the Bee Gees, written by and. This gave the group the opportunity to display their comedy skills in sketches with Howerd. The band were due to begin a seven-week tour of the US on 2 August 1968, but on 27 July, Robin collapsed and fell unconscious. He was admitted to a London nursing home suffering from nervous exhaustion, and the American tour was postponed.
The band began recording their sixth album, which resulted in their spending a week recording at in New York. Robin, still feeling poorly, missed the New York sessions, but the rest of the band put away instrumental tracks and demos. Odessa, Cucumber Castle and breakup [ ]. The Bee Gees performing at in early 1969, one of the last performances with Robin as he left the group later in March By 1969, the cracks started to show within the group, as Robin began to feel that Stigwood had been favouring Barry as the frontman.
The Bee Gees' performances in early 1969 on the and performing 'I Started a Joke' and 'First of May' as a medley was one of the last live performances of the group with Robin. Their next album, which was to have been a concept album called Masterpeace, evolved into the double-album. Most rock critics felt this was the best Bee Gees album of the 1960s with its progressive rock feel on the, the country-flavoured ' and ', and ballads such as ' and ' (the last of which became the only single from the album and was a minor hit). Feeling the flipside, ', should have been the A-side, Robin quit the group in mid-1969 and launched a solo career.
The first of many Bee Gees compilations,, was released featuring the non-LP single ' plus the Australian hit '. The single ' was also released and was a moderate hit in the UK, where it reached No.
23, but it was only No. 54 in the US. The compilation reached the top 10 in both the UK and the US. While Robin pursued his solo career, Barry, Maurice and Petersen continued on as the Bee Gees recording their next album,. The band made their debut performance without Robin. They had recruited their sister,, into the group at this time.
To accompany the album, they also filmed a TV special which aired on the BBC in 1971. Petersen played drums on the tracks recorded for the album but was fired from the group after filming began (he went on to form the with ). His parts were edited out of the final cut of the film and drummer was recruited to complete the recording of songs for the album. After the album was released in early 1970, it seemed that the Bee Gees were finished. The leadoff single, ', was a big hit in the UK, reaching No. 2, but a disappointment in the US, only reaching No.
The next two singles, ' and ' barely scraped the charts. On 1 December 1969, Barry and Maurice parted ways professionally. Maurice started to record his first solo album,, which was not released. Meanwhile, he released the single ' and starred in the West End musical, Sing a Rude Song. In February 1970, Barry recorded a solo album which never saw official release either, although ' was released as a single backed by 'This Time' without much interest. Meanwhile, Robin saw success in Europe with his No.
2 hit ' and the album. 1970–1974: Reformation [ ]. The Bee Gees performing at The Midnight Special in 1973 In the summer of 1970, according to Barry, 'Robin rang me in Spain where I was on holiday [saying] 'let's do it again'. By 21 August 1970, after they had reunited, Barry announced that the Bee Gees 'are there and they will never, ever part again'. Maurice said, 'We just discussed it and re-formed. We want to apologise publicly to Robin for the things that have been said.'
Earlier in June 1970, Robin and Maurice recorded a dozen songs before Barry joined and included two songs that were on their reunion album. Around the same time, Barry and Robin were about to publish the book, On the Other Hand. They also recruited Geoff Bridgford as the group's official drummer; Bridgford had previously worked with and, and played drums on Maurice's unreleased first solo album.
In 1970, was released in October in the US and November in the UK. The lead single ' reached at No. 3 on the United States, promoted by appearances on, 's,, and The Ed Sullivan Show.
Their ninth album,, was released in late 1971. The single ' was the first to hit No 1 on the US Charts, while ' reached No.
22 in the Netherlands. 'How Can You Mend a Broken Heart' also brought the Bee Gees their first nomination for.
Later that year, the group's songs were included in the soundtrack for the film. In 1972, they hit No. 16 in the US with the non-album single ', backed by Maurice's composition '.
Another 1972 single, ' from the LP, returned them to the UK top 10 for the first time in three years. On 24 November 1972, the band headlined the 'Woodstock of the West' Festival at the (which was a West Coast answer to in ), which also featured, and the. Also in 1972, the group sang ' with.
By 1973, however, the Bee Gees were in a rut. The album,, released on Robert Stigwood's newly formed, and its lead-off single, ', sold poorly with the single peaking at No.
This was followed by an unreleased album (known as ). A second compilation album,, was released in 1973, although it did not repeat the success of. On the 6 April 1973 episode of they performed ' with. Also in 1973, they were invited by to perform two songs with him onstage at The Midnight Special: ' and '. After a tour of United States in early 1974 and a Canadian tour later in the year, the group ended up playing small clubs. As Barry joked, 'We ended up in, have you ever heard of in () England?'
On the advice of, head of their US label, Stigwood arranged for the group to record with producer. The resulting LP,, included fewer ballads and foreshadowed the direction of the rest of their career.
When it, too, failed to attract much interest, Mardin encouraged them to work within the soul music style. The brothers attempted to assemble a live stage band that could replicate their studio sound. Lead guitarist had come on board in 1971 but did not have much to do until Mr. For that album, they added drummer Dennis Bryon, and they later added ex- keyboard player Blue Weaver, completing the Bee Gees band that lasted through the late '70s. Maurice, who had previously performed on piano, guitar, harpsichord, electric piano, organ, and bass guitar, as well as and, now confined himself to bass onstage.
1975–1979: Turning to disco [ ] Main Course and Children of the World [ ]. Bee Gees' wordmark logo (1975–81) At 's suggestion, the brothers moved to, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented songs, including their second US No. 1, ', along with US No.
The band liked the resulting new sound. This time the public agreed by sending the LP up the charts. This album included the first Bee Gees songs wherein Barry used, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea.
Main Course also became their first charting R&B album. On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang 'To Love Somebody' with. Around the same time, the Bee Gees recorded three Beatles covers—'/', ' with Barry providing lead vocals, and ' with Maurice providing lead vocals, for the unsuccessful musical/documentary.
The next album, released in September 1976, was drenched in Barry's new-found falsetto and Weaver's disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted and Karl Richardson, who had worked with Mardin during the Main Course sessions.
This production team would carry the Bee Gees through the rest of the 1970s. The first single from the album was ' (which features work by musician ). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad ' reached No.
3 in the US, and ' reached US No. 12 in January 1977. The album peaked at No. A compilation was released in November, containing the group's hits from 1967-1972. Saturday Night Fever and Spirits Having Flown [ ] Following a successful live album,, the Bee Gees agreed with Stigwood to participate in the creation of the. It would be the turning point of their career. The cultural impact of both the film and the soundtrack was seismic throughout the world, prolonging the scene's mainstream appeal.
The band's involvement in the film did not begin until post-production. As asserted, 'The Bee Gees weren't even involved in the movie in the beginning.
I was dancing to and.' Producer Robert Stigwood commissioned the Bee Gees to create the songs for the film. The brothers wrote the songs 'virtually in a single weekend' at in France. Barry Gibb remembered the reaction when Stigwood and music supervisor Bill Oakes arrived and listened to the demos: They flipped out and said these will be great.
We still had no concept of the movie, except some kind of rough script that they'd brought with them. You've got to remember, we were fairly dead in the water at that point, 1975, somewhere in that zone — the Bee Gees' sound was basically tired. We needed something new.
We hadn't had a hit record in about three years. So we felt, Oh Jeez, that's it.
That's our life span, like most groups in the late '60s. So, we had to find something. We didn't know what was going to happen. Bill Oakes, who supervised the soundtrack, asserts that did not begin the disco craze; rather, it prolonged it: 'Disco had run its course. These days, Fever is credited with kicking off the whole disco thing—it really didn't.
Truth is, it breathed new life into a genre that was actually dying.' Three Bee Gees singles - ' (US No. 3), ' (US No. 4) and ' (US No. Toshiba Challenge Code Crack more. 1) - charted high in many countries around the world, launching the most popular period of the disco era.
They also penned the song ', which became a US No. 1 hit for, while the Bee Gees' own version was the B-Side of 'Stayin' Alive'. Such was the popularity of Saturday Night Fever that two different versions of the song ' received airplay, one by the Bee Gees, which was relegated to album track, and another by, which was the hit. The Gibb sound was inescapable.
During a nine-month period beginning in the Christmas season of 1977, written by the brothers held the No. 1 position on the US charts for 27 of 37 consecutive weeks: three of their own releases, two for brother, the single, and ', performed. Fuelled by the film's success, the soundtrack broke multiple industry records, becoming the highest-selling album in recording history to that point. With more than 40 million copies sold, Saturday Night Fever is among music's top five best selling soundtrack albums. As of 2010, it is calculated as the worldwide. In March 1978, the Bee Gees held the top 2 positions on the US Charts with 'Night Fever' and 'Stayin' Alive', the first time this had happened since the Beatles.
On the US chart for 25 March 1978, five songs written by the Gibbs were in the US top 10 at the same time: 'Night Fever', 'Stayin' Alive', 'If I Can't Have You', 'Emotion' and 'Love is Thicker Than Water'. Such chart dominance had not been seen since April 1964, when the Beatles had all five of the top five American singles. Barry Gibb became the only songwriter to have four consecutive number one hits in the US, breaking the and 1964 record.
These songs were 'Stayin' Alive', 'Love Is Thicker Than Water', 'Night Fever' and 'If I Can't Have You'. The Bee Gees won five for Saturday Night Fever over two years:, (with Albhy Galuten and Karl Richardson), two awards for (one in 1978 for 'How Deep Is Your Love' and one in 1979 for 'Stayin' Alive'), and for 'Stayin' Alive'. During this era, Barry and Robin also wrote ' for an old friend, Australian vocalist, who made it a Top 10 hit, with the Bee Gees singing backing vocals. Barry also wrote the title song to the film version of the Broadway musical for to perform, which went to No. The Bee Gees' younger brother now followed his older siblings into a music career and enjoyed considerable success. Produced by Barry, Andy Gibb's first three singles all topped the US charts.
The Bee Gees also co-starred with in Robert Stigwood's film (1978), loosely inspired by the classic 1967 album by The Beatles. The movie had been heavily promoted prior to release and was expected to enjoy great commercial success. However, it was savaged by the movie critics as a disjointed mess and ignored by the public.
Though some of its tracks charted, the soundtrack too was a high-profile flop. The single ', credited to Robin Gibb, reached No. 15 in the US. The Bee Gees' follow-up to Saturday Night Fever was the album. It yielded three more hits: ' (US No. 3), ' (US No. 1), and ' (US No.
This gave the act six consecutive No. 1 singles in the US within a year and a half, equalling the Beatles and surpassed only. In January 1979, the Bee Gees performed 'Too Much Heaven' as their contribution to the at the, a benefit organised by the Bee Gees,, and for that was broadcast worldwide. The brothers donated the royalties from the song to the charity. Up to 2007, this song has earned over $11 million for. During the summer of 1979, the Bee Gees embarked on their largest concert tour covering the US and Canada. The capitalised on Bee Gees fever that was sweeping the nation, with sold out concerts in 38 cities.
The Bee Gees produced a video for the title track ', directed by Miami-based filmmaker Martin Pitts and produced by Charles Allen. With this video, Pitts and Allen began a long association with the brothers. The Bee Gees even had a country hit in 1979 with ', the flip side of their pop hit 'Too Much Heaven', which made Top 40 on the country charts. It was also a 1981 hit for topping the charts. The Bee Gees' overwhelming success rose and fell with the disco bubble. By the end of 1979, disco was rapidly declining in popularity, and the backlash against disco put the Bee Gees' American career in a tailspin. Radio stations around the US began promoting 'Bee Gee-Free Weekends'.
Following their remarkable run from 1975 to 1979, the act would have only one more Top 10 single in the US, and that would not come until 1989. Barry Gibb considered the success of the Saturday Night Fever soundtrack both a blessing and a curse: Fever was No. 1 every week. It wasn't just like a hit album. 1 every single week for 25 weeks. It was just an amazing, crazy, extraordinary time. I remember not being able to answer the phone, and I remember people climbing over my walls.
I was quite grateful when it stopped. It was too unreal. In the long run, your life is better if it's not like that on a constant basis. Nice though it was.
1980–1986: Outside projects, band turmoil, solo efforts and decline [ ] Robin co-produced 's released in May 1980, but the songs were started in 1979; the album contains songs written by the Gibb brothers. In March 1980, Barry Gibb worked with on her album. He co-produced, and wrote or co-wrote all nine of the album's tracks (four of them written with Robin, and the title track with both Robin and Maurice). Barry also appeared on the album's cover with Streisand and duetted with her on two tracks.
The album reached No. 1 in both the US and the UK, as did the single ' (written by Barry and Robin), becoming Streisand's most successful single and album to date. Both of the Streisand/Gibb duets, ' and ', also reached the US Top 10. In October, the Bee Gees regrouped to record songs that would go on to their upcoming album, but it wasn't continued, and Weaver, Kendall (who returned in 1987), and Bryon left the group. The brothers later recruited some studio musicians. In 1981, the Bee Gees released the album, their last full-length album release on RSO.
This album was the first CD ever played in public, when it was played to viewers of the BBC show. With the disco backlash still running strong, the album failed to make the UK or US Top 40—breaking their streak of Top 40 hits, which started in 1975 with '. Two singles from the album fared little better—', which reached No.
30 in the US, and ', which reached No. In 1982, enjoyed a UK No. 2 and US hit with her comeback single, ', taken from her written largely by the Bee Gees and co-produced by Barry Gibb. The album reached No.
3 in the UK and the Top 30 in the US, where it was certified Gold. A year later, and recorded the Bee Gees-penned track ', which became a US No. 1 hit and entered the Top 10 in the UK. Rogers' 1983 album,, was written entirely by the Bee Gees and co-produced by Barry. The album was a Top 10 hit in the US and was certified Double Platinum.
The Bee Gees had greater success with the soundtrack to in 1983, the sequel to. The soundtrack was certified platinum in the US, and included their Top 30 hit '.
Also in 1983, the band was sued by Chicago songwriter, who claimed the brothers stole melodic material from one of his songs, 'Let It End', and used it in 'How Deep Is Your Love'. At first, the Bee Gees lost the case; one juror said that a factor in the jury's decision was the Gibbs' failure to introduce expert testimony rebutting the plaintiff's expert testimony that it was 'impossible' for the two songs to have been written independently. However, the verdict was overturned a few months later. In August 1983, Barry signed a solo deal with MCA Records and spent much of late 1983 and 1984 writing songs for this first solo effort,. Robin released three solo albums in the '80s,, and.
And Maurice released his second single to date, ', for the first time since 1970. In 1985, released the album, written by the Bee Gees, with the title track co-written with (who also performed on the track). The album was again co-produced by Barry Gibb, and the single ' gave Ross a UK and Australian No. 1987–1999: Comeback and return to popularity [ ] The Bee Gees released the album in 1987, which sold over 3 million copies. It was their first album in six years, and their first for. The single ' went to No.
1 in numerous countries, including the UK, and made the Bee Gees the first group to score a UK No. 1 hit in each of three decades: the 1960s, 1970s, and 1980s. The single was a disappointment in the US, charting at No. 75, and the Bee Gees voiced their frustration over American radio stations' not playing their new European hit single, an omission which the group felt led to poor sales of their current album in the US. The song won the Bee Gees the 1987 British Academy's for Best Song Musically and Lyrically, and in February 1988 the band received a nomination for Best British Group. On 10 March 1988, younger brother died, aged 30, as a result of, an inflammation of the heart muscle due to a recent viral infection.
His brothers acknowledge that Andy's past drug and alcohol use probably made his heart more susceptible to this illness. Just before Andy's death, the brothers had decided that Andy would join them, which would have made them a four-member group. Instead, the Bee Gees got together with to create a group called ' to raise money for English charities. Php Mysqli Extension Is Missing Windows 7 there.
The group recorded three songs for The Bunbury Tails: “We’re the Bunburys”, “Bunbury Afternoon”, and “Fight (No Matter How Long)”. The last song reached No. 8 on the rock music chart and appeared on. The Bee Gees' following album, (1989), featured a song dedicated to Andy, 'Wish You Were Here'. The album also contained their first US Top 10 hit (No.
7) in a decade, 'One' (an Adult Contemporary No. After the album's release, the band embarked on its first world tour in 10 years.
In 1990, issued the box set, which contains all singles released (except 1981's 'Living Eyes'), rare B-sides, unreleased tracks, solo material and live performances. Many songs received new stereo mixes by, and some songs made their CD debut. At the time of its release, Tales was one of the first box sets issued in the music business, and it was considered an honour for a group to have one. In the UK, Polydor issued a single disc hits collection from Tales called, which contained their biggest UK hits. The album became one of their best selling albums in that country, and was eventually certified Triple Platinum. 'Everyone should be aware that the Bee Gees are second only to Lennon and McCartney as the most successful songwriting unit in British popular music.' —Music historian.
At one point in 1978, the Gibb brothers were responsible for writing and/or performing nine of the songs in the Billboard Hot 100. In all, the Gibbs placed 13 singles onto the Hot 100 in 1978, with 12 making the Top 40. The Gibb brothers are fellows of the (BASCA). At least 2,500 artists have recorded their songs. Singer-songwriter spoke to the Bee Gees' influence with their own music as well as their songwriting: 'Let's talk about the Bee Gees.
That's an iconic group. Not just a great band, but a great group of songwriters. Even long after the Bee Gees' success on the pop charts, they were still writing songs for other people, huge hit songs. Their talent went far beyond their moment of normal pop success. It is a loss to the music industry and a loss of an iconic group.
The beauty of this industry is that we do pay tribute and every artist coming up is a fan of a generation prior to it, so there's a real tradition element to it'. Among the artists who have covered their songs are,,,,,,,,,,,,,,,, the,,,,,, and. In 2009, as part of the celebrations, the Bee Gees were announced as one of the of Queensland for their role as 'Influential Artists'. Accolades and achievements [ ]. Bee Gees' star on the In October 1999 the Isle of Man Post Office unveiled a set of 6 stamps honouring their native sons' music. The official launch took place at the London Palladium where the stage show of was playing. A similar launch was held in New York shortly after to coincide with the show opening across the Atlantic.
The songs depicted on the stamps are 'Massachusetts', 'Words', 'I've Gotta Get A Message To You', 'Night Fever', 'Stayin' Alive' and 'Immortality'. In 1978, following the success of Saturday Night Fever, and the single 'Night Fever' in particular,, the of the US state of Florida, named the Bee Gees honorary citizens of the state, since they resided in Miami at the time. In 1979, the Bee Gees got their star on the. They were inducted in 1994 on the, as well as Florida's Artists Hall of Fame in 1995, ARIA Hall of Fame in 1997.
Also in 1997, the Bee Gees were inducted into the. In 2001, they were inducted on the Vocal Group Hall of Fame. After Maurice's death, the Bee Gees inducted in Dance Music Hall of Fame in 2001, London's Walk of Fame in 2006 and Musically Speaking Hall Of Fame in 2008. And on 15 May 2007, the Bee Gees were named at the 55th annual BMI Pop Awards.
Collectively, Barry, Maurice and Robin Gibb have earned 109 BMI Pop, Country and Latin Awards. All three brothers (including Maurice, posthumously) were appointed Commanders in the in December 2001 with the ceremony taking place at on 27 May 2004. On 10 July 2009, the Isle of Man's capital bestowed the honour on Barry and Robin, as well as posthumously on Maurice. On 20 November 2009, the Douglas Borough Council released a limited edition commemorative DVD to mark their naming as Freemen of the Borough. On 14 February 2013, Barry Gibb unveiled a statue of the Bee Gees, as well as unveiling 'Bee Gees Way' (a walkway filled with photos of the Bee Gees), in honour of the Bee Gees in, Queensland, Australia. Awards and nominations [ ].
This section needs additional citations for. Unsourced material may be challenged and removed. (December 2015) () Year Association Category Nominated work Result Ref. 1978 ' Won 1979 Saturday Night Fever Won ' Won Saturday Night Fever Won Saturday Night Fever Won Bee Gees Won Saturday Night Fever Won 1980 Bee Gees Won Spirits Having Flown Won 1997 Bee Gees Won Bee Gees Won Bee Gees Won 2003 Grammy Awards Special award of merit Bee Gees Won 2004 Saturday Night Fever Won 2015 Bee Gees Won Band members [ ] Barry Gibb played rhythm guitar.
During the early 1970s, Robin Gibb played piano and occasionally, after which, he only played and privately. Maurice Gibb played,,,, piano,,, keyboard, and drums. From 1966 to 1972 he played multiple instruments on many records. During the late 1970s he played mainly bass guitar. From about 1986 onward he usually played keyboards and guitars.
Maurice was credited by the brothers as being the most technologically savvy member of the band. Principal members • – vocals, rhythm guitar (1958–2003, 2009–2012) • – vocals, guitar, keyboards, harmonica (1958–1969, 1970-2003, 2009–12; d.
2012) • – vocals, lead guitar, bass, keyboards, rhythm guitar, drums, synthesizer, mellotron, piano, organ, harmonica (1958–2003; d. See also: Soundtracks (1977) and (1983) contain music not released on their original albums.
All their officially released albums included on this list; have not been included on the list because it only appeared on numerous bootlegs and was not officially released. Studio albums [ ] • (1965) • (1966) • (1967) • (1968) • (1968) • (1969) • (1970) • (1970) • (1971) • (1972) • (1973) • (1974) • (1975) • (1976) • (1979) • (1981) • (1987) • (1989) • (1991) • (1993) • (1997) • (2001) Song catalogue [ ]. This section needs additional citations for. Unsourced material may be challenged and removed. (December 2015) () The Gibbs gained ownership rights [ ] to their back catalogue, returning distribution rights to (which had purchased Atco), where they subsequently reissued digitally remastered versions of Saturday Night Fever, their later Bee Gees Greatest album, and a new boxed set: The Studio Albums: 1967–1968 under the / labels. Additionally, more recent titles such as and were among the first batch of re-releases. The band's three releases, E.
P., One and High Civilisation were also made available on iTunes for the first time since the albums went out of print in North America in the mid-90s. According to Robin Gibb's website, three more reissues were planned for the 2008 holiday season:, and. The double album was released on 13 January 2009 in a special 3-disc deluxe edition complete with the original red velvet cover with remastered stereo and mono versions of the album as well as alternate versions and unreleased tracks. Since the remastered release of Odessa, Rhino has stopped reissuing original Bee Gees albums and there has not been any announcement as to when the remaining albums will be remastered. In December, 2016, assumed distribution rights for the entire Bee Gees catalog.
Was recorded in 1997 as a 1,000 quantity limited edition single for charities. The song was featured in the Bee Gees World Tour and on 's 'An Evening With.' But to date has not been released generally. The single was subsequently also available as part of the 1999 Bee Gees Stamp issue. In conjunction with the 50th anniversary of the Bee Gees (when they started calling themselves 'Bee Gees' in 1959), Rhino Records have released two new collections. Is a four-disc collection highlighting each brother, including Andy, with tracks personally selected by Barry, Robin, Maurice's wife Yvonne (with his children Adam and Samantha), and Andy's daughter Peta. Maurice's disc contains two unreleased tracks called 'Angel of Mercy' and 'The Bridge'.
Andy's disc contains the unreleased track 'Arrow Through The Heart'. Mythology also features a scrapbook of family photos, many never-before published, along with tributes from artists such as,,, and the band's longtime manager. The second collection,, is a more modest two-disc 40-track collection highlighting their biggest hits and includes a bonus DVD of unreleased videos, previously unreleased television appearances, live performances and promo videos.
Each disc is themed, with the first disc being the more upbeat songs called 'A Night Out' and the second disc being more ballad-focused called 'A Night In'. Filmography [ ] Film Year Title Director 1969 Hugh Gladwish 1978 1997 Keppel Road Tony Cash 2010 Martyn Atkins Television series Year Title Director 1979 Louis J.
Horvitz 1994, Jeff Doud 2001 This Is Where I Came In David Leaf, John Scheinfield 2002 Live By Request Lawrence Jordan Videography Year Title Director 1990 Adrian Woods, Peter Demetris 1997 One Night Only Bee Gees See also [ ] • References [ ].