SIL Open Font License v1.10 This license can also be found at this permalink: Copyright (c) 2011, Sol Matas (), with Reserved Font Name “Bitter” This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is copied below, and is also available with a FAQ at: —————————————————————————————- SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 —————————————————————————————- PREAMBLE The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others. The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works.
Buy Sol Complete Family Pack desktop font from Canada Type on Fonts.com. Nov 10, 2011. Download and install the Bitter free font family by Sol Matas as well as test-drive and see a complete character set.
The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives. DEFINITIONS “Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation.
“Reserved Font Name” refers to any names specified as such after the copyright statement(s). “Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s). “Modified Version” refers to any derivative made by adding to, deleting, or substituting—in part or in whole—any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment. “Author” refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software. PERMISSION & CONDITIONS Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions: 1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself. 2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license.
These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user. 3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users. 4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission. 5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.
TERMINATION This license becomes null and void if any of the above conditions are not met. DISCLAIMER THE FONT SOFTWARE IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT.
IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE. Webfont Kit The license for this font is the SIL OFL license. This license does not allow us to redistribute derivative versions of the font without wholesale name changes inside and out of the font. Until we figure out a reasonable method of delivering these to you and complying with the license, you will have to use the yourself on these, renaming the fonts appropriately.
If you are the designer of this font, and this was an unintended consequence of using the OFL license, and give us permission to allow webfont conversions. People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen. Motivated by my love for the pixel I designed Bitter. A “contemporary” slab serif typeface for text, it is specially designed for comfortably reading on any computer or device. The robust design started from the austerity of the pixel grid, based on rational rather than emotional principles.
It combines the large x-heights and legibility of the humanistic tradition with subtle characteristics in the characters that inject a certain rhythm to flowing texts. Bitter has little variation in stroke weight and the Regular is thicker than a normal ‘Regular’ style for print design. This generates an intense color in paragraphs, accentuated by the serifs that are as thick as strokes with square terminals. Each glyph is carefully designed with an excellent curve quality added to the first stage of the design, that was entirely made in a pixel grid. The typeface is balanced and manually spaced to use very few kerning pairs, especially important for web font use since most browsers do not currently support this feature. Downloads: 421,910 Uploaded on: November 10, 2011 Designed by: Classification: Tags:, Languages: Some Fonts Also Support. Bep Monkey Business Rarity.
ChrisB @font-face does work in a css file. Make sure your src paths are relative of the root folder.
Try AceeBaba’s code from above. Except make sure the format is ’embedded-opentype’ and not just ‘eot’ As for the eots from font squirrel, they seem to work in ie8 for me. Could be because of the format like i said above.
Also i don’t see how you got it to work on other computers without the src links. Unless you decided to use an external link from google or someone. Which i’d advise against since it will increase page load time.
But if you do, make sures its above your css links or they wont know it’s there. I realize this is almost two months old, but in the off chance you revisit this post Photoshop has an anti-alias feature in the type tool. It is next to the font size drop down in the top tool bar and at the bottom right corner in the Character Window. I usually change this to “none” in the drop down for any text that will be browser generated. It’s not exactly the same text rendering, but it’s the best we have right now. There really is no industry standard tool that will render text identical to the browser (which renders differently depending on the browser and platform). I hope that helps.
Hi, I’m strugling with this for hours, and I just cannot figure it out: I can get web fonts to work on most browsers, but if i want it to work on internet explorer 7, I need to put the html, the css and the font files in the same folder! It gets pretty messy, because I’m using the six-caps font for headers, and I cannot find a suitable fallback safe font for it. Strange thing is that I cannot find it reported anywhere else, and if I test it with files from lyndas tutorial, it works just fine for ie. Since it is working for every major browser (including ie8 and ie9) I’m assuming the paths are correct, and since my testing site is not at the root, i cannot give it absolute paths during development. I’m using the exact latest font squirrel sintax from the downloaded webfont kits. Is it possible that ie7 uses different path location on css, or maybe that it might be working on the other browsers because I already have a local copy?
Best regards, isabel. Is there a proper solution for the Firefox font render issue (on Macs only)? Still exists with an icomoon self made font, made from svg-s. Example Win FF (21) on IOS (sand color arrow font on white background, on FF the font is rendered too bold can’t see the arrow) CSS properties that applied: speak: none; content: attr(data-icon); font-weight: normal; font-style: normal; text-decoration: inherit; -webkit-font-smoothing: antialiased; Any idea? (I’ve tried: font sizing in pixels not in ems, playing with font-weight, but not getting a good results /actually i got exactly the same/). I seem to have encountered this issue with IE8 and below not rendering my @font-face declarations.
I have literally tried all the solutions that I can find online when others have encountered the problem and now ive pretty much run out of ideas. I am getting the issue on our live holding page: (thats not a link drop this is a genuine issue that I need a second pair of eyes to take a look at). The holding page doesnt matter to much but need to resolve it as I am developing our new site at the moment. Thanks in advance. @Greg Ledger If all the fonts have licenses that allow them to be used online, there’s no reason you can’t use them. Go to FontSquirrel and see if they already have font-kits for the fonts.
If they do, download them, concatenate the stylesheet.css files and you are ready to go. If Fontsquirrel doesn’t already have a font-kit, go to the web-font generator, upload the.ttf files and it will create the font-kits for you. And honestly, who cares if web fonts render in IE8 and below?
If you are going to use an ancient browser, you probably don’t even know there are fonts other than Times New Roman, Arial and Verdana and you aren’t going to see all the other wonderful anyway. Seriously I’m really tempted to start using normalize.css for my ieHacks.css file. Especially with Foundation. Hey everyone, I just completed my site.
I set the font codes to “Trajan Pro” On my macbook pro and mac desktop the font style appears but for others it seems like an Arial font or some generic is appearing. I believe I have found the solution with this code here on this page but I am confused on how to set it up. Like as far as uploading the font? I don’t have the file, I just typed it in the code. Then where do I place this code on my html or css? Any advice/help will be greatly appreciate it. If you’re using @font-face, then it’s always a CSS.
And as with CSS you can put it either in HTML or CSS file, but puting it in HTML doesn’t really make any sense, because if CSS file loads quicker then your HTML (which is a bit funny but I guess that can happen), the @font-face might not load, so answering your question – put @font-face at the BEGINNING of your CSS file. Go to Fontsquirrel, download WebTypeKit with your fonts and read the manual, which is included in there How_to_use_webfonts.html. Hope that helps a bit.:). Some font files are really large.
Though they add beauty to the designs, they can significantly increase the page load time, and therefore can affect search engine rankings and decrease the amount of returning visitors of your website. While some users do not have to use extended language parameters like cyrilic, arabic etc., I for example have to use them. And this almost doubles the file size of the font. Because of this I remember that I had to use in some of my pages standart fonts like Arial, Tahoma despite I wanted to use new age font faces. It would be great if sometime on the web, all the font files could be joined into one unique font file, that will be readable for all operating systems and devices. With this, it will speed up the loading time of the pages and therefore the user enhance experience.
Well saying this is easy, if it will become true(it should!!), will we see in the future. The advantage of many of the web based font-face generators is they actually do lot of processing (like striping font names of special characters, generating correct css etc.) to make sure the generated font-face works across broad spectrum of the browsers. Apart from font squirrel mentioned here everythingfonts does a great job as well, as a font face generator:.
English To Hindi Dictionary Free Download For Samsung Champ Mobile. The disadvantage with the webfont generators though is because they change the font name they are incompatible with many font licenses. Re: ‘speedy’ CDN font services: NOT! Could have been except all the CDN services involve font file protection, in addition to stumbling through font service script compiles.
All of the font services you list with the sole exception of Google are monolithic slugs under the hot Sun. Use Google for best speed in most cases, and otherwise this is a great @fontface article.
Btw: Shawn has a good idea concerning Google web fonts being added to operating systems, except anti-trust and other trade violations are so common with Google now in Europe, that adding its fonts to a computer may soon be as deadly efficient as running paid ‘secret’ font services, stuck-fast CDN computing. Have been playing with a few options mentioned in this article: Is it possible that Google Web Fonts only uses.woff or.woff2 in their @font-face families? That would mean other font extensions aren’t supported through this technique. I clicked-through the link above the mention that “A benefit of using a hosted service is that it is likely to include all the font file variations, which ensures deep cross-browser compatibility without having to host all those files ourselves.” and found no diversity of file extensions. I’ve since downloaded the Google font I wanted to use, converted all the formats with web tools, and have those files local to the server. Not sure if anyone can help me here, I feel I have tried everything now to clear the cache in chrome after changing the font and it simply won’t load the new one, safari had the same issue at first, but safari let me fix it in seconds with the developer menu disable and empty caches I could see it happen in realtime, I have now cleared the cache in chrome 1000 times and still it loads the old set, I know this belongs in chrome support, but hey maybe someone here, because it’s related to using @font-face knows the solution and had the same problem. That’s why I’m just trying my luck here.